Podcasts

Woman Around Town’s Editor Charlene Giannetti and writers for the website talk with the women and men making news in New York, Washington, D.C., and other cities around the world. Thanks to Ian Herman for his wonderful piano introduction.

Colin Farrell

Sofia Coppola’s The BeguiledThe Bachelor Under the Moss

06/30/2017

The Beguiled is visually beautiful. A large white Virginia mansion sits surrounded by majestic trees dripping with moss. The women who inhabit this home are outfitted in gowns that would put Scarlett O’Hara to shame. Each scene, shot in gauzy, low light is mesmerizing, giving the entire film a dreamlike quality. Yet that exceptional cinematography cannot save a film whose storyline is demeaning to women. That the director is Sofia Coppola and the cast predominantly women only adds to the disappointment.

“I think just the power between men and women, which we can all relate to, is at the heart of the story,” Coppola said on the CBS Morning Show, explaining why she decided to do a remake of the 1971 film which starred Clint Eastwood. The earlier version did poorly at the box office after being marketed as a “hothouse melodrama” – “One man…seven women…in a strange house!” That setup, a group of women competing for the attention and love of a man, never falls to draw an audience, one reason why ABC’s The Bachelor is now in its 21st (!) season. Still, whether during the Civil War or in current time, seeing women scratch and claw each other to win a man is unseemly.

Colin Farrell

Seven women, ranging in age from seven to 40, are holed up in the Farnsworth Seminary for Young Women, practicing their handwriting and studying French while trying to ignore the Civil War raging around them. The youngest girl, Amy (Oona Laurence) is gathering mushrooms in the forest when she happens upon a wounded Union soldier, Colonel McBurney (Colin Farrell). She helps him back to the mansion where he collapses. The school’s head, Miss Martha (Nicole Kidman), decides they should tend to his injuries before turning him into the Confederates. He’s placed on a bed in the music room which is kept locked. Miss Martha strips off his clothes and sponges away the dirt and blood on his body, her movements and facial expressions making it clear it’s been a long time since she’s seen a man. She also cleans out and stitches up the wound in his leg.

When he regains consciousness, McBurney tells the women he recently arrived in America from Ireland and, being short on cash, was paid to take another man’s place in the Union Army. Fighting for a cause he knew little about and didn’t believe in made it easy for him to desert when he was wounded. He wants the women to know that he’s not their enemy. (Eastwood’s character told the women he was a pacifist.) The women soon band together to protect McBurney from being turned in when Confederate soldiers stop in to check on Miss Martha and the others.

Colin Farrell and Kirsten Dunst

Although Miss Martha keeps telling McBurney he’s not a guest, he’s soon joining them at the table for dinner. The women dress for each occasion like they are dining with a prince. McBurney doesn’t disappoint, enjoying the food, particularly Amy’s mushrooms, and flirting with each woman. Although Miss Martha tries to keep things professional, there’s no doubt she’s attracted to him, too. But the major contenders are Edwina, the school’s second in command and teacher played by Kirsten Dunst, and Alicia, one of the older students played by Elle Fanning. McBurney plays one off against the other until his manipulations backfire with disastrous consequences.

Despite the fact that the film is set during the Civil War, Coppola made the curious decision to jettison one of the characters, a slave, Hallie, played in the original by Mae Mercer, which sparked some fascinating and heated exchanges with Eastwood’s McBurney. Hallie and the women (a cast headed by Geraldine Page and Elizabeth Hartman) dressed in work clothes, not ball gowns, and toiled in the fields in order to supply their food. In Coppola’s version, not only do we wonder where all the mansion’s food comes from (aside from Amy’s mushrooms), but also ponder who spends time washing and ironing all those dresses?

Coppola’s work was recognized with a best director’s award at Cannes, which certainly is a boost to women directors battling for equity in Hollywood. And the cast (which also includes Angourie Rice, Addison Riecke, and Emma Howard) delivers strong performances. Too bad the plot didn’t present women in a better light.

Photos courtesy of Focus Features

Fantastic Beasts and Where to Find Them – Before Harry Potter, There Was Newt Scamander

11/21/2016

I don’t think I’m dreaming…I ain’t got the brains to make this up.

J.K. Rowling’s took the world by storm with her fantastical vision of Hogwarts and a magical world that we all desperately longed to live in.  In fact, the Harry Potter series was so good and so iconic that I was more than a little skeptical about doing a prequel series, that might tarnish the beloved series as The Hobbit prequels only seemed to diminish the grander of Lord of the Rings. Or how The Phantom Menace utterly desecrated Star Wars.

FANTASTIC BEASTS AND WHERE TO FIND THEM

Eddie Redmayne and Katherine Waterston

Thankfully my fears proved groundless. Fantastic Beasts directed by David Yates, who did a number of the Harry Potter films, and set in New York City 70 years before Harry receives that letter from Hogwarts, manages to fit perfectly within the magical world we’ve seen before while paving utterly new ground. Newt Scamander (a rumpled and floppy haired Eddie Redmayne) has come to America on steamer ship to continue his study and collection of magical creatures, who all live in a suitcase.

FANTASTIC BEASTS AND WHERE TO FIND THEM

Samantha Morton

Unfortunately, a mishap with Muggle/NoMaj Kowalkski (Dan Fogler in a nuanced and affecting performance) means the suitcase goes missing and some of the creatures are set loose, earning him the ire of recently demoted aurora, a dark wizard catcher, Tina (Katherine Waterston of Steve Jobs and Inherent Vice).  Moreover there’s an anti-witch campaign being sponsored by Mary Lou Barebone (a terrifying turn by Samantha Morton).

Needless to say, the visuals are spectacular. The 20’s setting only adds to the feeling of enchantment as Kowalski and the audience see a whole new universe unfold before our eyes. Without giving too much away, what you see inside Mr. Scamander’s suitcase actually manages to hold its own against Hogwarts castle in the sense of the wonder and delight it elicits. But the film doesn’t just create some truly fabulous new CGI creatures but a wonderful tapestry of new characters and new motifs.

FANTASTIC BEASTS AND WHERE TO FIND THEM

Colin Farrell and Erza Miller

Eddie Redmayne isn’t just adorably rumpled as Newt, he also showcases an incredible capacity for physical comedy in such moments where he tries to imitate the mating behavior of an Erumpent. (Trust me-you have to be there.) Colin Farrell is looking fitter and trimmer than we’ve seen him in years as the sinister official Graves. Ezra Miller (The Perks of Being a Wallflower) is compelling as Mary Lou Barebone’s troubled adopted son, Credence.

FANTASTIC BEASTS AND WHERE TO FIND THEM

Alison Sudol

The biggest surprise though, is singer-songwriter Alison Sudol making her film debut.  As Tina’s flirty, mind-reading sister, Queenie, Sudol steals every scene she’s in and her romance with Fogler’s Kowalski is surprisingly poignant and sweet.

FANTASTIC BEASTS AND WHERE TO FIND THEM

Eddie Redmayne

There are other elements too, that not only make Fantastic Beasts a delightful film in its own right but help set up another great franchise. In the Harry Potter films, muggles never played much of a role except for the odious Dursley’s who only appeared at the beginning anyway. Here, the whole storyline revolves around how wizards and non-wizards exist side by side with one another and the inevitable tensions and difficulties that may ensue.  But there’s also a chance for new connections as well.  Fantastic Beasts is a fable not only about natural conservation but also a story of bigotry, repression, and the need for tolerance. And in these times, that lesson seems more vital than ever.

Top photo: Katherine Waterston, Eddie Redmayne, Alison Sudol, and Dan Fogler
Photos courtesy of Warner Brothers Pictures