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Posts Tagged ‘Don’t Tell Mama’

Woman Around Town: Magee Hickey—On the Scene

Sunday, December 13th, 2009 by Stephanie Russell-Kraft

Magee on Camera

By Stephanie Russell-Kraft

Magee Hickey, a reporter for WCBS-TV in New York, is such a busy Woman Around Town that we have difficulty even finding time for her interview. Several attempts to meet for lunch are cut short by stories breaking elsewhere in the city. At the earliest hours of the day, the New York native can be found covering news developments in all corners of the five boroughs, connecting with the myriad lives she encounters. And after thirty years in the industry, she remains captivated by her work.

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Each day, Magee calls the station around 2:30 a.m., as she’s having her bowl of Special K with strawberries, to learn about her assignment. “I call in and say, `What’s it gonna be? What’s my story?’ and it’s generally something that’s happened between 11 and 2:30 in the morning. A fire, a shooting, something that I can’t have prepared for,” she explains. “It’s different every day, [and] that’s the most important thing. I’m at a different location, facing a different challenge. I could never do a job where you go to the same office every day.” It’s a demanding job, but Magee seems to thrive from it.

little-baby-face-foundationAfter some schedule maneuvering, I finally get a chance to catch up with Magee on a Thursday evening benefit for the Little Baby Face Foundation, a non-profit organization dedicated to providing interdisciplinary medical care and surgery for children born with facial deformities around the globe. Although Magee has been awake and working since 2:00 that morning, she arrives at the benefit full of energy, looking polished in a chic black dress and gold belt. Within moments of greeting me, she begins to sing praises of the organization, introducing me to the president and his wife and making sure I’m taking notes as we go. It’s clear to me right away that this quintessential vivacious redhead is in the right business. She’s not there to promote herself in any way. Rather, her focus is on the people surrounding her—on uncovering and connecting their stories with her own questions.

Magee, who was born in Brooklyn but raised on the Upper East Side, grew up in what she describes as a “very interesting” family, characterized by an eclectic mix of show-biz and community service. Her mother was an actress, and Magee became interested in theater at a very early age. However, while she was an undergraduate at Brown University, she began to doubt her future in both the acting and music industries. After a professor noticed her propensity for asking questions, he encouraged her to try working in the television news industry.

“The minute I walked into a news room—I was an intern in Providence, Rhode Island my junior year in college—I just loved it,” she explains, glowing. “And from then on I just worked hard to get jobs in TV news.” She tells me later that she was drawn to the field by her “curiosity about people,” adding that “if you’re a person who asks a lot of questions, journalism is the field for you.”

Magee with Woman

At the Little Baby Face Foundation benefit, Magee chats with other guests about the organization itself, about season three of Mad Men, and about the merits of voice control. She explains that her goal, when reporting, is usually to keep her voice low, to keep it musical and soothing for her audience at 5 a.m. Her aim is not to change her voice, but to relax it.

When the conversation turns to signing, Magee explains that, despite her high-profile profession, her biggest fear is singing into a microphone in front of an audience. For this reason, she tells the group, she’s enrolled in an evening cabaret class. Not only does she want to conquer her fears and learn “how to sing,” but she hopes to perform a few songs at her father’s birthday party in the spring. She tells me, “My husband was confused, he says, ‘We’ve been married for 26 years. I know you’re scared of singing. I can’t believe you’re doing this!’”

Magee and man

Nonetheless, she’s committed to the course, and plans to sing three Cole Porter songs at her class’s live performance on January 16th at the Don’t Tell Mama cabaret club in Manhattan, alongside the eight other students in the course. “The other seven are singers,” she admits, “with big voices… and then there’s me, with a little voice.” She smiles.

Kate Sullivan, a morning news anchor at WCBS-TV, takes a moment to praise Magee while she’s in conversation with another benefit attendee.”Isn’t she incredible?” she asks me. Before I can nod in return, she continues, “What’s so great about Magee is that she supports people, she’ll introduce everyone to everyone, kind of playing a public relations role.”

The two women start to look tired (and I don’t blame them) as they discuss the merits of their 5 a.m. call times and their lives on morning television. I’m still surprised that they have enough energy to even be here.

“How do you do it?” I ask incredulously.

“Oh, you just do it. And you actually get used to it, don’t you?” Magee answers, looking at Kate for confirmation.

“No,” she laughs, suddenly looking just as incredulous as I.

magee-headshot2When we finally get the chance to sit down and talk in depth about Magee’s life as a reporter, I’m curious to hear about her experiences as a woman claiming her stake in the industry over the past thirty years. Within one hour of knowing her, I’ve already come to admire her strength, and I’m eager to learn more.

Although she’s never faced explicit discrimination as a woman, she does admit that she’s always faced challenges in the field.

“There was a job I applied for at a radio station in Providence Rhode Island, I was a senior in college,” she tells me. “And they couldn’t believe that I really wanted to do this as a career, full time. They were sort of more old-fashioned men. They sort of viewed it as ‘oh I’m gonna do this until I get married.’ And I was so gung ho that it never occurred to me that after marriage I wouldn’t be working just as hard. But there was always a sense that this is something you do until you find something better…”

“And then I remember when I was at Channel 4 and I told the news director I was expecting my first child, people actually asked me—and this was 1987—if I was going to work after I had my child. And I was so shocked by that question. ‘Of course I’m going to work! This is my career! I’m going to be a mother, and I’m going to be a TV reporter….’ It never occurred to me that it’s one or the other,” she explains. And yet she never saw any of these expectations as obstacles. “I think the biggest obstacles I’ve ever faced are my own, my lack of self confidence, and just pushing myself to be more aggressive, and being surer of myself.”

Magee’s always been her own toughest critic, pushing herself to uncover the most that she can about her city and its people. When I ask her which stories have affected her most over the years, she tells me about the killing of John Lennon and the various murder trials she’s covered. But then she pauses, adding, “Every story affects me. If it doesn’t affect me there’s something wrong with the way I’m doing the story. At one point I was covering the aftermath of a fatal fire in Crown Heights Brooklyn, where a stay-at-home dad died and his two year old and his one year old died in a fire. He didn’t call 911, he had been burning incense, the mattress caught on fire… the police and fire department came, but they went to the wrong address first, because it was called in at a different intersection….” She slows down. “It all affects me. I think about that man. But that’s what I love about the job, it’s about life.”

And what better city than New York to teach you about life? Magee explains that while she began her career in television reporting while finishing college in Rhode Island, she was eager to get back to her home city as soon as she graduated. She elaborates, “The typical career path was for me to go to a medium sized market and work my way up to New York. And I was impatient. I wanted to come to New York. I didn’t want to get to know another city. I loved Providence, but it was time to come back to New York. My boyfriend at the time was here (and I knew I was going to marry him), my parents were here, my two sisters, my brother, all of my childhood friends. And I wanted to get to know the city.” Her eyes widen as she reflects on the years she’s spent both growing up and living in New York.

“To me, the greatest thing about my job is getting to know the city,” she continues with child-like enthusiasm, “and going to parts of the city that I don’t know. I can tell you the best places in the city to get breakfast,” she chuckles, and stops briefly to collect her thoughts. “All of that is really the best part, that I really know New York. And [at the same time] you can never know New York well enough, there’s always so much more to be learned.”

Woman Around Town’s Six Questions

Favorite Place to Shop: (And I am quite a shopaholic!) are Topshop on Broadway in Soho and the Pookie and Sebastian boutiques throughout the city… but particularly the one on 78th Street and Second Avenue.
Favorite Place to Eat:
There are so many. One was Hacienda de Argentina on East 75th Street, but it recently shut down. I’m hoping it will reopen soon. I also love Amber, an Asian fusion restaurant on Third Avenue and 80th Street, and I love Blue Smoke in the East 20s. Right now, I’m trying out a hot and trendy restaurant on the Lower East Side, called Marfa, where my niece Meg Lavin is a waitress extraordinaire.
Favorite New York Sight:
The Brooklyn Bridge. I love the look of it, and knowing that my ancestors helped build it. I get a thrill going to Brooklyn. At least four generations on both sides of my family lived in Brooklyn and I feel closer to my roots and personal history there.
Favorite New York Moment:
I love New York in the early morning hours. On the shift that I work on at CBS 2, I am up at work before the sun rises. And there are often these glorious moments when I watch the city wake up slowly. I love being on the Brooklyn Heights promenade and watching the day start.
What You Love About New York:
The people, our spirit, resilience and plucky personalities. Practically everyone’s a tough, independent character, tough on the outside but with a mushy heart on the inside. I also love going to movies in the daytime. The noon show at the Lincoln Plaza is always packed. I want to ask, who are these people, and how do they have time to go to movies in the middle of the day? I also love the courses at the 92nd Street Y. Right now, I am taking Cabaret and tap dancing. The teachers Collette Black and Norma Curley are fantastic and so are my classmates. I love that you can stumble your way into a class and find this wonderful community of soul mates.
What You Hate About New York:
How expensive everything is. I don’t want my life to be about making money and having money. I want it to be about something so much more spiritually rewarding. I am very aware in my job about how so many people have so much less than I have… so the inequity of life in New York is upsetting.

Actors Fund’s “Nothing Like A Dame” Showcases Women

Wednesday, June 17th, 2009 by Charlene Giannetti

Actors Fund Benefit

By Charlene Giannetti

There was so much talent on display during the recent Actors Fund benefit, “Nothing Like a Dame,” that the spectacle was almost too much to take in. Where could you see—in one evening—Kelli O’Hara, Betty Buckley, Andrea McArdle, Audra McDonald, Bebe Neuwirth, and Stephanie J. Block? Hearing them sing would have been enough entertainment. But coaxed by the charming and talkative host, Seth Rudetsky, each woman told tales out of school. There were confessions, salty language, and hilarious stories about lives spent on the stage. Now, whenever we see one of these women perform, we will know them a little better and appreciate their incredible talents even more.

Of course, the evening could never have happened without a special dame, Phyllis Newman, an Actors Fund trustee, who launched The Phyllis Newman Women’s Health Initiative after she battled breast cancer. Karen Graham and Lynnda Ferguson, breast cancer survivors and beneficiaries of Newman’s safety net, came on stage to tell their stories. Left without health care after losing their medical coverage, both women were helped by the Health Initiative. Newman recently received the Humanitarian Award at the Tony Awards.

After welcoming the audience, Newman introduced Rudetsky, who essentially brought his weekly talk show, “Seth’s Broadway Chatterbox,” to the benefit’s venue at New World Stages. (Rudetsky, center above, is pictured with, from left, Block, McArdle, Buckley, and Brian Stokes Mitchell, Actors Fund President. Photo by Steve and Anita Shevett).

Rudetsky, although not a dame, is a Broadway star in his own right, an accomplished pianist who has conducted and played in the pit for many musicals. He dazzled the audience, not only with his talent on the piano, but also with his skill for interviewing these stars. (Now we can’t wait to attend one of his Chatterbox sessions at the club, Don’t Tell Mama).

First up was Kelli O’Hara, expecting her first child in July and resplendent in a short turquoise dress, on hiatus from starring as Nellie Forbush in South Pacific at Lincoln Center. Her one frustration with that musical’s score? There are no high notes to sing, because the songs were tailored for the first Nellie, Mary Martin, whose range was only one octave. “I knew Nellie Forbush like the back of my hand,” said O’Hara. When Nellie confronts her own prejudice in the play, O’Hara said she “went back to my roots to think about the people I knew and thought about how she would change.”

Plopping a straw cowboy hat on her head and ditching her high heels, O’Hara lit up the stage with, “Opera Country”, a song written for her by Dan Lipton and David Rossmer.

We thought, how do you follow that? And then along came Stephanie J. Block, currently starring in 9 to 5, whose other credits include The Boy from Oz (she played Liza Minnelli), Wicked (she was the first Elphaba in tryouts), The Pirate Queen, Godspell, Pippin, and many more. Gorgeous in a deep purple dress, Block was a good sport, watching as Rudetsky shared a video of her at eleven singing “Maybe This Time.” Even at that young age, her talent was overwhelming.

Block praised Dolly Parton, the brains and energy behind 9 to 5, telling the audience that the Country Western star has multiple outfits with “9 to 5” somehow emblazoned on the material, even if that fabric is gold lame. Parton is “divine and so smart,” and treats the cast to homemade peanut fudge made in her microwave oven.

Although she admires Parton, Block cited Barbra Streisand as her idol, so it was no surprise when she sang one of Streisand’s signature songs, “He Touched Me.” Block’s rendition was a show-stopper. Fitting in with the evening’s theme, she also sang “Woman” from The Pirate Queen. Rudetsky echoed many people’s feeling that The Pirate Queen closed much too soon. Fortunately, we can enjoy Block’s voice on the cast album. Her newest album, “This Place I Know,” includes a duet with Parton, “I Will Always Love You.” (I went on Amazon that night and ordered both!)

Bebe Neuwirth, dressed in a tight-fitting red dress, accessorized with red heels and a butterfly broach on the shoulder, told Rudetsky that she began taking ballet lessons when she was five but at thirteen realized she didn’t have what it would take to succeed. “I went to see Pippin and said, `That dancing! That’s what I want to do!’” Ballet’s loss has certainly been Broadway’s gain, with Neuwirth starring in a long list of musical hits, including her debut role as Sheila in A Chorus Line and her Tony Award-winning turn as Velma Kelly in the revival of Chicago.

Asked by Rudetsky to contrast the two star choreographers, Bob Fosse and Michael Bennett, Neuwirth said Bennett was “down on the floor, very muscular, canine,” while Fosse was much more “up on the stage.” Neuwirth, delighted the audience with “Ring Them Bells,” a story about a woman who travels the world to meet her true love, discovering that he lives next door. Neuwirth will next appear on Broadway in The Addams Family with Nathan Lane, scheduled to open in 2010.

Barbra Streisand’s name was mentioned for the second time (it wouldn’t be the last) when Andrea McArdle recalled that the first time she went on as Annie, she was told Streisand would be in the audience. “Okay,” she laughed, “you’re going to meet Barbra, but you have on a red dress, Mary Jane shoes, and a red fright wig.” McArdle replaced an earlier Annie with only two days notice after Mike Nichols and others involved in the musical heard her sing and decided she was the better choice for the lead. She had originally been cast as the behavior-challenged Pepper.

Aside from the red hair, McArdle has left her childhood days behind. Looking grown-up and svelte in a Kelly green low cut long sheath, she sang, “You Made Me Love You,” once sung by Judy Garland to a photograph of Clark Gable.

Streisand’s name came up a third (and last) time during Audra McDonald’s time on stage. Initially afraid the singing legend didn’t like her, McDonald wove a hilarious tale about her many encounters with the diva that left her terrified, until the inimitable Zoe Caldwell, a co-star in Master Class, told her never to cow to anyone. The story had a happy ending when she finally found out that Streisand does like and admire her talents. Currently starring in the ABC-TV drama, Private Practice, McDonald bemoaned the early morning hours required for filming, saying she recently had a call to report to the set by 4:48 a.m. Although other women are envious that she gets to kiss heartthrob Taye Diggs, McDonald said because she is good friends with his wife (Wicked star Idina Menzel), getting up close and personal has been weird. “It’s like kissing your brother,” she laughed.

McDonald, looking sexy in a black dress, came across as the fun, slightly mischievous friend you would love to hang out with. She was accepted into Julliard as an opera major and continued to frustrate her teachers by sneaking off to do musicals during the summer when students were expected to perform at classical festivals. She recently sang at a benefit for Bill Cosby and joked that her song choice, “Along Came Bill,” from Showboat, was not the wisest, but she soldiered on through her performance. (The lyrics include, “You’d meet him on the street and never notice him”). More than likely, McDonald in a playful mood knew exactly what she was doing when she serenaded the humor king with that tune.

The evening saved the best for last with Broadway’s grand dame, Betty Buckley. She now lives an hour west of Ft. Worth and flew to New York just for the Actors Fund benefit. These days she raises horses and competes in “cutting” competitions where the rider must separate a cow from a herd. A long way from Sunset Boulevard!

Buckley closed the evening with a beautiful rendition of “Serenity” from the musical Triumph of Love. At the end, she tossed aside the microphone, her still amazing and powerful voice not needing any amplification to deliver the heartfelt lyrics: “Serenity, serenity, a haven where I could hide. I found it at last…”

It must be said, that for the many actors and actresses who seek out the services of the Actors Fund, they indeed do find that serenity. The organization helps, not only actors, but also all professionals in performing arts and entertainment. The Fund is a safety net providing programs and services for those who are in need, crisis, or transition. For more information on the Actors Fund and The Phyllis Newman Women’s Health Initiative, go to www.actorsfund.org.

Tell Mama—And Everyone Else!

Sunday, January 18th, 2009 by Charlene Giannetti

Don't Tell Mama

Don’t Tell Mama
343 West 46th Street, between Eighth and Ninth Avenue
212-757-0788

If you are looking to dip your toe into the New York cabaret scene, this is a good place to start. The prices are reasonable and the line-up varied enough to please many a discriminating fan of cabaret. Many up-and-comers try out their acts here, so it’s the opportunity to perhaps discover the next great singer without having to watch American Idol.

www.donttellmamanyc.com

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