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Posts Tagged ‘Zeus’

Eye of Newt with that Burger?

Sunday, October 18th, 2009 by Marie Hansen-Lehmann

Jekyll & Hyde Greenwich Village

By Marie Hansen-Lehmann

Finding a place to dine around Halloween can be scary. Fortunately, New York City is home to three horror themed establishments all owned by Eerie World Entertainment. Although the restaurants are open year-round, the Halloween season is, of course, their most active season. Here’s a run-down of each restaurant to help you plan a spooky October feast!

jk-57th-streetThe four-floored Jekyll & Hyde Club located in midtown is the most famous of the three restaurants. Just walking into the restaurant is an experience all its own with a moving ceiling and eccentric “guide” to lead the way. There are several animatronic creatures that perform and interact with the diners—everything from a wise-cracking gargoyle to a statue of Zeus.

In addition, actors dressed as Victorian mad scientists walk around, engaging people in bizarre conversation. The mood is less creepy and more like dining on the set of Young Frankenstein, making it the perfect location to bring the kids.

There are video games upstairs to play while you wait for your meal. The food is slightly more upscale than your typical chain restaurant variety but the hefty price is made-up for by the entertainment. When available, the pumpkin cheesecake is worth every cent! Reservations cannot be made ahead of time, but the wait isn’t usually too long. One small warning: they only accept American Express credit cards.

If you have never been to the Jekyll & Hyde Club, it is definitely something to experience at least once, especially with children!

Jekyll and Hyde Pub is a toned-down, more adult version of the main restaurant. The focus is mainly on the drink menu, which boasts over 52 American Beers as well as a wide range of international brews. The food is a similar menu to the Jekyll & Hyde Club and I would suggest sticking close to the burgers menu to get the best value vs. quality. The main entertainment is the animatronics rather than actors, including the re-animation of Frankenstein’s monster that drops down from the center ceiling. It’s a great place to go with friends, even if to just grab a drink!

4slaughteredlambpub

If you are looking for something more romantic, The Slaughtered Lamb is your best option. There are no animatronics or actors, but there is a deliciously creepy atmosphere centered mainly on the werewolf legend. In fact, the restaurant’s name is a nod to the movie An American Werewolf in London!

3slaughteredlambpub

There is a cozy fireplace, a relaxed quiet atmosphere, and if you are feeling adventurous, head down to The Dungeon to check out the decor. The food is the best out of the three locations—the pumpkin tortellini is a must try! Be warned: the weekends tend to attract more of a tourist-bar crowd, so head down during the week if you are bringing a date.

Marie Hansen-Lehmann is a Young Adult Librarian. She has reviewed books for School Library Journal and has a blog about teen lit, librarianship, and sometimes music called The Cupcake Witch. She is part of the anthology Cassette From My Ex (St. Martin’s Griffin) and had a show on 90.1 fm WUSB for six years. She currently lives in Queens and works in the Village.

Jekyll & Hyde Club
1409 Avenue of the Americas
212-541-9505

Jekyll and Hyde of Greenwich Village
Restaurant and Bar
91 Seventh Avenue South
212-989-7701

The Slaughtered Lamb Pub
182 West Fourth Street, near Jones Street
212-627-5262

Euripides’ The Bacchae at Shakespeare in the Park

Monday, August 24th, 2009 by Anne Richmond

Bacchae

By Anne Richmond

Central Park’s open-air Delacorte Theatre, reminiscent of the amphitheaters of ancient Greece, is the perfect setting for Euripides’ The Bacchae, presented by the Public Theater’s Shakespeare in the Park. On a recent summer evening, the air was sweet and warm and the playing space vast and mysterious, a single plume of mist sprouting from a large crack in the stage, creating a sense of foreboding and mystery.

Jonathan Groff, familiar to musical theater fans from his performance in Spring Awakening, roams the stage as Dionysus, son of Zeus, who has returned to his native Thebes to avenge the death of his mortal mother, Semele. He pulls various articles from a large case, placing them about the stage. He washes an animal’s severed head and splashes about in the shallow pool of water that rings the front of the stage. He dresses in jeans, a white shirt and a leather jacket, taking on a James Dean quality, simultaneously winning and dangerous.

bacchae-posterJames Conklin’s abstract set is reminiscent of ancient Greek architecture, but the modern silver playspace conveys the impression that this production will present something fresh. The action is set on Semele’s grave, symbolizing the fact that the very godhead of Dionysus is at stake in this story. There is also a dazzling moment when the grave bursts into flames at the back of the stage. It makes for a stunning stage picture.

David Neumann’s exciting choreography, the heart and soul of this piece, is executed artfully by the chorus of Bacchan women. They traverse the stage in rhythmic punctuation of the text, evoking ancient performances where the chorus emphasized the rhythm of the verse lines by stomping across the stage in large shoes. In place of the stomping, Neumann punctuates the verse with shapes and tempo of movement. His choreography was magical when it came together seamlessly with the production design and the text, as in the moment when the women wash themselves in the pool, lit only by dim lights showing through the shallow water.

The costumes, by Kaye Voyce, at times unconventional, as in the choice of glittering pants for the prophet Teiresias, always work with the style of the piece. Their color brightens the stage and brings a vivacity to the chorus that is unusual in Greek drama.

Rocco Sisto’s turn as the Messenger at the climax of the production is heart rending and dynamic, but the presence of the women on stage almost overshadows his brilliant performance. George Bartenieff as Cadmus shines in his charmingly befuddled scene with Teiresias, played expressively by Andre de Shields.

Euripedes is a challenging undertaking. While this production of Shakespeare in the Park has its shortcomings, it is still visually gripping. And nothing can beat that outdoor setting.

The show runs until August 30th. For more information on this production see www.publictheater.org

By Anne Richmond

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