Do Re Mi – A Musical Curiosity

This 1960 musical which astonishingly ran a year, featured then popular Nancy Walker and Phil Silvers. Damon Runyonish without the swell songs and nifty book of 1950’s Guys and Dolls, the show must’ve been a vehicle for its stars. To my mind, it contains one timeless ballad- “Make Someone Happy,” two somewhat amusing girl group songs- “All You Need is A Quarter” and the quirky “What’s New at the Zoo,” one successful, tongue-in-cheek number “It’s Legitimate,” and one comic (musical) soliloquy “The Late, Late Show.” Otherwise material is tuneless and verbose. The game company does manage to deliver some entertainment, however.

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Whitney Meyer, Beth DeMichele, Anna Bucci; Daniel Marcus

Briefly, Hubie Cram (the Nathan Lane-ish Patrick John Moran) is a losing dreamer and small time con man looking for the big score. His loving wife, Kay, (Laura Daniel) wants him to take a job in her father’s dry cleaning business, but, patience wearing thin, sticks by him nonetheless. Hubie fixes on the idea of cornering the jukebox market and enlists former gangster comrades, Fitzo (Daniel Marcus), Brains (Roger Rifkin) and Skin (Michael Scott.) His intentions are legitimate, theirs reflexively shady.  At the same time, he discovers singing waitress Tilda (Beth DeMichele) and starts recording her.

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Beth DeMichele and Patrick John Moran; Tyler Milliron and Beth DeMichele

The jukebox business is a failure, but Tilda’s a success. When she falls in love at first sight with music industry competitor, John Henry Wheeler (Tyler Milliron), the hoodlums are sure their golden goose will leave and plan on violent measures. Before this can happen, everyone is pulled into a Washington DC court for strong-arming practices. It’s Hubie’s first experience in the spotlight and, despite threat of incarceration, he loves it. (Moran’s face is a pitch perfect reflection.) Needless to say, everything turns out fine.

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Patrick John Moran and Laura Daniel

Patrick John Moran (Hubie) deserves better material. There’s a sweetness about his ineptitude and frustration. The actor has good comic timing and delivers solid vocals. Were direction lighter, he’d surely be funnier as well.

Laura Daniel is credibly working class, long suffering and devoted. Adding some specific physicality to her character would help define Kay.

The best voice on the stage belongs to Beth DeMichele (Tilda), who is also an appealingly natural actress. If Tyler Milliron would take his resonant vocals down a notch, the two would mesh nicely.

Of the gangsters, Daniel Marcus’ Fitzo stands out. His accent is grand.  Marcus moves heavier than he is, reacting with habitual speed and attitude that illuminates the crook.

Director/Choreographer Donald Brenner’s high spots are two terrific girl group numbers with very cool synchronized movement. He should do a fifties show.

Photos by Michael Portantiere
Opening: Laura Daniel and Patrick John Moran
Whitney Meyer, Beth DeMichele, Anna Bucci; Daniel Marcus
Beth DeMichele and Patrick John Moran; Tyler Milliron and Beth DeMichele
Patrick John Moran and Laura Daniel

Musicals Tonight! presents
Do Re Mi
Libretto- Garson Kanin; Music- Jule Style; Lyrics-Betty Comden and Adolph Green
This Production Directed and Choreographed by Donald Brenner
Music Director/Vocal Arranger- David B. Bishop
The Lion Theatre
410 West 42nd Street
Through April 3, 2016
Tickets at Telecharge or The Lion Theatre Box Office
NEXT April 5-17 : Wonderful Town

About Alix Cohen (930 Articles)
Alix Cohen is the recipient of eight New York Press Club Awards for work published on this venue. Her writing history began with poetry, segued into lyrics and took a commercial detour while holding executive positions in product development, merchandising, and design. A cultural sponge, she now turns her diverse personal and professional background to authoring pieces about culture/the arts with particular interest in artists/performers and entrepreneurs. Theater, music, art/design are lifelong areas of study and passion. She is a voting member of Drama Desk and Drama League. Alix’s professional experience in women’s fashion fuels writing in that area. Besides Woman Around Town, the journalist writes for Cabaret Scenes, Broadway World, and Theater Pizzazz. Additional pieces have been published by The New York Post, The National Observer’s Playground Magazine, Pasadena Magazine, Times Square Chronicles, and ifashionnetwork. She lives in Manhattan. Of course.