Karen Mason: It’s About Time – Marvelous

Birdland is peppered with show biz illuminati tonight, performers and songwriters alike. There’s a buzz in the air. The occasion is a coming out party for Karen Mason’s first CD in 8 years. Rather than an evening of eleven o’clock numbers, the beautifully calibrated show, selections from It’s About Time plus a few earlier favorites, showcases an actress who knows how to inhabit intensity without volume.

Ira and George Gershwin’s “Love is Here to Stay” strolls in on Tedd Firth’s nuanced piano. This is when one hears just how good she is. Its sentiment is mature, authentic, the vocal pure. Ba-dump-da-da-da-da “Just in Time” hitches a ride, mid-tempo, but eeeazee. (Jule Styne/Betty Comden/Adolph Green from Bells Are Ringing.) Its title line rides very cool percussion. Mason slowly revolves slowly taking us all in. She doesn’t so much bounce as dance in place as if about to.

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Referring to “4000 sent emails,” the artist quips that all those years she was trying to be a nice girl, when it’s the annoying one that fills the room. Comfortable on stage, she’s gracious and wry. A gauzy “Finding Wonderland” (Frank Wildhorn/Jack Murphy from Wonderland) is paired with Alan Menken/Tim Rice’s optimistic “A Whole New World” (from Aladdin). We see her imagine the latter with such focus its as if sheer will might manifest change. Watch the left hand, fingers splayed, rise and reach forward …with you…fading like the curl of a smoke ring.

Chita Rivera, Chicago’s original Velma Kelly, is in tonight’s audience. Mason declares that performing “All That Jazz” in front of one of the women who introduced the number (with Gwen Verdon) is the ballsiest things she’s ever done. “Chita did the singing/dancing version. I’m going to do the singing/personality moving version.” It’s superb. She takes her time, elongating, sizzling, vocal rising like a geyser, spreading before falling. Hips gyrate just a tad, mischievous, restrained. The left foot kicks back. (John Kander/Fred Ebb)

Brian Lasser’s utterly lovely “I Met a New Friend” and the tandem “Lorna”/”I Want to Be With You” (Charles Strouse/Lee Adams from Golden Boy) are deftly understated. The former, a well painted story-song, is tender. The latter, accompanied by dramatic piano, leaves Mason’s fierce vocal to cut to the bone.

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Special Guest, songwriter/producer Paul Rolnick (Mason’s husband), also has a CD debuting. Accompanying himself on the soft rock “Strumming My First Guitar” (written with John Nanni) he in fact, utilizes his very first guitar. It has a Superman sticker on one side. As a performer, the artist is comfortable, like a favorite pair of old jeans. His voice (and songs) feel honest and familiar.

Rolnick also offers his CD’s title song, Emmy nominated “Shoot for the Moon” (written with Dennis Scott) in duet with Mason- describing and performed with palpable affection. My favorite of this segment is “Cold Enough to Cross” (written with Henry Cory): Though this river may be frozen/We should try at any cost/Cause now it might be cold enough to cross…a poetic, country-sounding ballad with the plainspeak wisdom of a good haiku and swaying melody.

Four iconic selections by Mason follow. Among these are Harold Arlen/George Gershwin’s “The Man That Got Away” and Harold Arlen/E.Y. Harburg’s “Over the Rainbow.” Mason tells us Judy Garland, who introduced both these songs, was a huge influence on her. Steal from the best, she tells us, then make it your own. She does.

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Fully able to careen off the walls with the skill of an aerialist, Mason instead approaches the Gershwin song in thrall to pain, unlike Garland, unable to unleash till the very end. As to the Harburg, I can’t help but recall Julie Wilson’s admonition that no one should attempt it. “I’ve resisted this song for many years,” Mason tells us. Bearing witness, she delivers affecting hope against hope, perhaps speaking for us all, but also in her own distinct voice.

We close with “It’s About Time.” (Paul Rolnick/Shelly Markham.) Created bespoke for the marriage of gay friends, the song is universal, heartfelt, and gracefully crafted. I recommend its use on loving occasions. I found myself humming its melody on the way home.

Musicianship is impeccable. Direction admirably invisible.

I’m sorry you missed this one.

Photos by Maryann Lopinto

It’s About Time and Shoot for the Moon CDs are available on:
Karen Mason’s website
CD Baby – Karen Mason
CD Baby – Paul Rolnick

Karen Mason: It’s About Time
Guest: Paul Rolnick
Directed by Barry Kleinbort
Music Supervisor- Christopher Denny
Tedd Firth-MD/Piano, Bob Renino-Bass, Rex Benincasa-Drums
Birdland Jazz Club
315 West 44 Street

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About Alix Cohen (1187 Articles)
Alix Cohen is the recipient of nine New York Press Club Awards for work published on this venue. Her writing history began with poetry, segued into lyrics and took a commercial detour while holding executive positions in product development, merchandising, and design. A cultural sponge, she now turns her diverse personal and professional background to authoring pieces about culture/the arts with particular interest in artists/performers and entrepreneurs. Theater, music, art/design are lifelong areas of study and passion. She is a voting member of Drama Desk and Drama League. Alix’s professional experience in women’s fashion fuels writing in that area. Besides Woman Around Town, the journalist writes for Cabaret Scenes, Broadway World, and Theater Pizzazz. Additional pieces have been published by The New York Post, The National Observer’s Playground Magazine, Pasadena Magazine, Times Square Chronicles, and ifashionnetwork. She lives in Manhattan. Of course.