Manus x Machina: Poetic Possibilities of the Machine at the Met
Working against the myth that couture is “hand made” while “machine made” is prêt –à-porter or, basically, for the masses — not on the same level of imagination, craft, refinement and price — Andrew Bolton has fashioned an exhibition that proves otherwise.
What follows are particular standouts, in an exhibition that is, as usual, a knockout, although the quasi-religious music wafting through is, to my mind, a bit pretentious.
It’s clear, from this exhbition, that machines and all forms of technology are simply additional mechanisms through which designers can now weave their magic
Miyake Design Studio, Flying Saucer Dress 1994
Alexander McQueen (Sarah Burton), 2012
Alexander McQueen (Sarah Burton), 2012
House of Dior (Raf Simons), 2015
Thom Browne, 2013
Pierre Cardin , 1968
Comme des Garcons (Junya Watanabe), 2000-2001
Noa Raviv, 2014
Thierry Mugler, 1990-91
Halston, 1970
Wedding Ensemble, Karl Lagerfeld, 2013
Close up of Wedding Ensemble Embroidered Train
Opening photo: Iris Van Herpen 2012
Photos by Eleanor Foa Dienstag