The New York Pops: Make the Season Bright

“It’s the Most Wonderful Time of the Year” sang Essential Voices USA with the kind of strapping vocal that conjured a Hollywood production number starring Norwegian figure skater/ film star, Sonja Henie.

In its 34th season, The New York Pops celebrated upcoming holidaze with an evening of rousing, homey cheer. Inspired by the iconic film White Christmas, the Pops’ Director/Conductor Steven Reineke invited two sets of siblings to perform perennial material culminating in the iconic Irving Berlin songs once sung in the film by Rosemary Clooney, Vera-Ellen, Danny Kaye and Bing Crosby.

Ann Hampton Callaway and Liz Callaway wearing a closet full of stylish, festive gowns shared the stage with Will and Anthony Nunziata for whose distracting sequined jackets and bespoke shoes one needed sunglasses.

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‘This time of year, everyone of every age and every walk of life knows the same songs,” noted Hampton Callaway swinging seamlessly into an Ella Fitzgerald arrangement of “Winter Wonderland.” As always, the vocalist added her own nuanced stamp -an octave rose and slid, a ritard affected… It’s happy and a bit sassy. Later, she rendered William Schermerhorn/Westley Whatley’s story/song “Yes, Virginia”, about Virginia O’Hanlon who, in 1897, wrote to The New York Sun and was told in no uncertain terms, Yes, Virginia, there is a Santa Claus. Performance glows with warmth and was not, for a minute, over the top. First violinist Cenovia Cummins added immeasurably.

Liz Callaway offered two songs from Lynn Ahrens/Steve Flaherty’s Anastasia for which she voiced Anya in the animated version. (The musical comes to Broadway this spring). Stepping into character like a fur coat, the actress rises, expressive and expansive, to lush melodies and yearning lyrics. Particularly appropriate this year, “Grown Up Christmas List” (David Foster/Linda Thompson Foster) emerges with sincere depth of spirit: No more lives torn apart/That wars would never start/And time would heal all hearts/And everyone would have a friend…

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Nodding to the music teacher in tonight’s audience who gave him his first solo age 7, Will Nunziata sang “The Christmas Song” with sincerity and gently warbling vibrato. Twin, Anthony Nunziata rendered his grandmother’s favorite, “I’ll Be Home For Christmas” in honor of his grandfather and those who continue to serve abroad. In Act II, The brothers gave us John Bucchino/Michael Feinstein’s charming, as-if-written-for-them “Carnegie Hall” -both were making their Hall debut and the heartfelt, co-authored “The Gift Is You” which might refer as easily to their mother as Jesus Christ.

To my mind, there were two highlights: Ann Hampton Callaway and Liz Callaway’s gorgeous, original, harmonized duet of “Silent Night”/”Mary, Did You Know?” which rose to the rafters with palpable devotion and, new to me, “The Chanukah Song” (Stephen Schwartz/Steven Young), as rendered by Essential Voices USA, which movingly embraced principles as well as season with brotherhood and gratitude.

A White Christmas Medley covered everything from “Happy Holiday” to “The Best Things Happen When You’re Dancing” as all four guests enthusiastically contributed. “Sisters,” was, of course, particularly apt. The ladies had an infectiously good time.

“We Need a Little Christmas” (from Mame) emerged a Jerry Herman wet dream- long, glorified and multi-layered as performed by The New York Pops and Essential Voices USA. Scrooge would’ve imploded on the spot.

Celebratory to the Nth degree, running smooth as an ice pirouette, the evening was peppered by welcome anecdotes and personal memories. Only Sound Design somewhat marred . Orchestra and chorus too often swallowed vocalists.

Photos by Maryann Lopinto

The New York Pops: Make the Season Bright
Steven Reineke-Music Director/Conductor
Essential Voices USA-Judith Clurman Music Director/Conductor
Guest Artists: Ann Hampton Callaway, Liz Callaway, Will Nunziata, Anthony Nunziata
Carnegie Hall
December 16, 2016
New York Pops Calendar  

About Alix Cohen (527 Articles)
Alix Cohen is the recipient of eight New York Press Club Awards for work published on this venue. Her writing history began with poetry, segued into lyrics and took a commercial detour while holding executive positions in product development, merchandising, and design. A cultural sponge, she now turns her diverse personal and professional background to authoring pieces about culture/the arts with particular interest in artists/performers and entrepreneurs. Theater, music, art/design are lifelong areas of study and passion. She is a voting member of Drama Desk and Drama League. Alix’s professional experience in women’s fashion fuels writing in that area. Besides Woman Around Town, the journalist writes for Cabaret Scenes, Broadway World, and Theater Pizzazz. Additional pieces have been published by The New York Post, The National Observer’s Playground Magazine, Pasadena Magazine, Times Square Chronicles, and ifashionnetwork. She lives in Manhattan. Of course.