Contributor: Maria-Cristina Necula

Maria-Cristina Necula's published work includes the books "The Voice Beneath the Quince Tree: A Memoir of Growing Up in Communist Romania", "The Don Carlos Enigma: Variations of Historical Fictions" and "Life in Opera: Truth, Tempo and Soul", two translations: "Europe à la carte" and Molière’s "The School for Wives," and the collection of poems "Evanescent." Her articles and interviews have been featured in "Classical Singer" Magazine, "Opera America," "Das Opernglas," "Studies in European Cinema," and "Opera News." As a classically trained singer she has performed in the New York City area at Weill Hall at Carnegie Hall, Merkin Hall, Florence Gould Hall, and the Westchester Broadway Theatre, and has presented on opera at The Graduate Center, Baruch, The City College of New York, and UCLA Southland. She speaks six languages, two of which she honed at the Sorbonne University in Paris and the University of Vienna, and she holds a Ph.D. in Comparative Literature from The Graduate Center, CUNY. In 2022, Maria-Cristina was awarded a New York Press Club Award in the Critical Arts Review category for her review of Matthew Aucoin's "Eurydice" at the Metropolitan Opera, published on Woman Around Town. She was a 2022-24 Fellow of The Writers' Institute at The Graduate Center. Currently, Maria-Cristina serves as the Director of Alumni Engagement at Lehman College. https://mariacristinanecula.com/

Terence Blanchard and Michael Cristofer’s Champion premiered in 2013 with Opera St. Louis as a co-commission of the company and Jazz St. Louis. Last season, Blanchard’s Fire Shut Up in My Bones, was the first opera by a…

In celebration of 20 years of interdisciplinary dance that fosters collaboration and inclusion, Brooklyn Ballet presents Rejoice! The Village Dances, an evening that bridges ballet and street dance with past and contemporary works. The performances…

Internationally renowned celebrity portrait photographer, Mark Mann will celebrate the release of his new coffee table book, Movement at the Still Point: An Ode to Dance, with a one-night-only star-studded evening of dance at the Joyce Theater, on Monday,…

On March 23, MasterVoices chorus, led by its Artistic Director Ted Sperling, presented O How Good, a performance of Jewish sacred music at the Central Synagogue in Manhattan. The program included two works of traditional…

On Saturday, March 25, American Repertory Ballet (ARB) will return to New York City with a thrilling program entitled Movin’ + Groovin’ at Hunter College’s Kaye Playhouse. This will be the company’s first New York…

After New Year’s I felt overwhelmed. I had resolutions and the enthusiasm to dive right into them. Or so I thought. Doesn’t a new year always start like this? Ideas of new beginnings, transformations, improvements,…

William Berger is an acclaimed author of countless articles and several books on opera as well as a beloved commentator for the Metropolitan Opera. He can be heard on Met Opera Radio’s Sirius/XM broadcasts and…

2022 seems to be the year of French-sung American premieres of Giuseppe Verdi’s operatic masterpiece, Don Carlos. This has been long overdue; this year marks the 155th anniversary of the original five-act French version’s opening…