Oil & Whiskey – Date Night with Your Ex?

In this musical two-hander, exes who agree to meet for a drink get along like oil and water—or in keeping with title—as Oil & Whiskey do. After three years apart, “Him” (Jater Webb) is eager to get back with “Her” (Isabel Stewart). She . . . not so much.

The 60-minute playlet, in the NYC Fringe Festival, is largely sung-through, with Webb accompanying their songs on guitar. 

Is he or she, as they sing, really “the one that got away?”  She insists “I’ll never fall in love with you again.” He counters: “I think that you should still believe in love.” But would that be—as they toss the refrain back and forth—“with me,” “with us,” or “with somebody else”?

Some of the repartee touches on cliché: She has heard “all the stories you always tell;” though if they reunite, she’s willing to “pretend to be surprised.” They compare themselves to “oil and water,” and to “dark and light,” certain that “we can never turn the page and read the ending together.”

But another exchange may be unique in the long history of bickering couples in a musical. It starts with him celebrating the great sex they had—”especially the makeup sex.” She, however, can’t forget the time he withdrew leaving his condom inside. He doubles down, mansplaining “This damn contraception’s makin’ me lose my erection!”

Finally, he pleads, “Let’s make this the last time we fight.” And it is. They do not get back together.

Webb’s solo guitar accompaniment suits both his voice and the production well: the show originated in Nashville and it’s ostensibly set in Nashville, so the songs have a Nashvillian vibe. Stewart has a particularly clear voice, although at times she projects as though the audience and the theater were far, far larger. They both do their best work in the quieter, more intimate songs. After all, if they were really exes meeting for a drink in a bar, neither would be able to belt.

They inhabit the sentiments and deliver the lyrics so well, and perform the material so effortlessly, you’d think they wrote the show themselves. But in fact Oil & Whiskey was created by Dax Wiley, who wrote the book and lyrics, and Kit Nolan, who composed the music, directed and choreographed the production.

Photo of Stewart and Webb by Liz Guenther

Oil & Whiskey will play again April 18 and 20 at The Rat Theater in DUMBO: 68-117 Jay St., Brooklyn. For times and tickets go to the website.

About Hal Glatzer (27 Articles)
Hal Glatzer is a performer, journalist, novelist and playwright. He has been singing all his life. Nowadays, he plays guitar and sings from "the Great American Songbook"the hits of Tin Pan Alley and Broadway. Hal started in journalism in the 1970s as a daily newspaper reporter, and moved into TV news. But he focused on the rise of the computer industry, and stayed on that beat until the mid-'90s when, ironically, the internet killed the market for high-tech journalists. So he turned to writing mystery fiction, starting with a tale of a hacker who gets in trouble with organized crime. He next wrote a series featuring a working musician in the years leading up to World War II, whose gigs land her in danger. During the pandemic, he penned some new adventures of Sherlock Holmes. His stage plays are mysteries too: one with Holmes and one with Charlie Chan. More often, though, he writes (and produces) audio-plays, performed in old-time-radio style. A grateful product of the New York City public schools, including Bronx Science, he moved away from the city for many years, but returned in 2022 to live on his native island, Manhattan.