Wonderful Town – A Winner

For its 90th revival, Musicals Tonight! chose 1953’s Wonderful Town, originally starring Edie Adams and Rosalind Russell. The Tony Award winning show was based on its librettists (Joseph Fields and Jerome Chodorov) 1940 play, My Sister Eileen, which, in turn, derived from Ruth McKenney’s New Yorker stories and book.

E

Savannah Frazier as Eileen

This lively production features the talents of Director Evan Pappas, whose keen eye for character turns and aesthetic arrangements even when his cast just poses, serve to entertain and enhance, and Choreographer Antoinette DiPietropolo, whose work is buoyant. It also features an unusual cavalcade of good actors having fun with smaller roles.

Pretty, innocent, man-magnet Eileen (Savannah Frazier) and her smart, cynical, older sister Ruth (Elizabeth Broadhurst) have come to New York City from small town Ohio in search of fame and fortune, or at least lives where everyone doesn’t know everyone else’s business. Eileen dreams of becoming an actress, Ruth of earning her way as writer.

with wreck

Savannah Frazier as Eileen, Elizabeth Broadhurst as Ruth, Javid J. Weins as Wreck, Jillian Gottlieb as Helen

The girls make a beeline for Greenwich Village where everyone knows artists live cheaply. Exhausted, they’re ambushed by a landlord named Appopolous (Perry Lambert, with deft accent and comic timing) who knows rubes when he sees them. He talks them into a tiny basement apartment with a window on the street. Within minutes, an explosion rocks the room- subway construction is going on beneath, but only, they’re assured, from 6am to midnight. (Sound effects are terrific.) Why, oh why, oh why, oh –why did I ever leave Ohio?…they sing.

When a stranger strolls in assuming the apartment is still inhabited by a prostitute, their neighbor, “Wreck” aka Ed Loomis (David J. Wiens) comes to the rescue. An ex-college football hero, the young man is sweet and simple. His girl, Helen (Jillian Gottlieb) timidly hides their relationship from her judgmental mother, Mrs. Wade (Leslie Alexander), at one point going so far as to board Wreck in the girls’ kitchen overnight.

Wonderful casting pairs the substantial Weins and tiny Gottlieb to best advantage. Moving her aside by absently lifting and repositioning her is directorial candy. Weins handles “Pass the Football” with dumb, wistful skill. Gottlieb manifests a perfect mouse-voice and kind of apt, fluttery presence.

two

James Donegan as Bob; Paul Binotto as Speedy and Perry Lambert as Appopolous

While Eileen strikes out at multiple auditions, she attracts both wholesome Walgreen’s manager, Frank (Ian Lowe) who gives her free lunches and heat-seeking, sleazeball newspaper reporter Chick (Leland Burnett), who promises to tell his editor about Ruth. Both are inadvertently invited to dinner the same night. Lowe is credibly low key and likeable in a role that might otherwise disappear. Burnett is oily from dialogue to body language, adding interest to his character.

Meanwhile, Ruth is summarily rejected until she encounters Bob (James Donegan), an editor on The Mad Hatter magazine (aka The New Yorker) who, recognizing his younger self, reads her dreadful stories. (Enactment of these is alas, a weaker segment.) Bob comes looking for the discouraged Ruth and is also invited to potluck by Eileen. In the well paced “Conversation Piece,” table chat is stilted, ulterior motives clash.

James Donegan is not only an attractive actor with a warm, appealing voice, but sympathetic in a role which is sometimes a placeholder. His reading of Ruth’s stories aloud has just the right restrained, but incredulous tone. I’d be interested in seeing this thespian in a straight play.

dinner

James Donegan as Bob, Savannah Frazier as Eileen, Leland Burnett as Chick, Elizabeth Broadhurst as Ruth, Ian Lowe as Frank

Ruth inadvertently gets herself involved with a bunch of South American sailors who love the “Conga.” (Choreography is fun, though opportunity was missed in not snaking down the otherwise well employed theater aisle.) When Eileen tries to help, she gets arrested and ends up captivating the police department who serenade her with “My Darlin’ Eileen.” Joshua Downs portrays the station captain with genial charm, Irish lilt, and a pleasing vocal.

Eileen also lands on the front page of a newspaper which secures her employment as an entertainer by Club Vortex owner, Speedy Valente (Paul Binotto, an amusing, come-to-life cartoon.) “Ballet at The Village Vortex” offers infectious choreography. Needless to say, everyone is paired up and employed by the end.

IMG_5478-edit

Savannah Frazier as Eileen, Elizabeth Broadhurst as Ruth

It’s the journey that counts. Take it. The musical itself is a romp and there are so many unexpectedly nifty moments, I found myself smiling almost throughout the whole piece.

I imagine Eileen a bit more naïve than depicted, but Savannah Frazier has a simply lovely voice and settling in, enchants more than just the men on stage. Asking the police to fetch and carry for her, Frazier morphs into the girl who blithely takes this for granted.

Elizabeth Broadhurst (Ruth) does a yeoman-like job, but never quite gets Ruth’s caustic fatalism. Helpless moments with the sailors are effective as are earnest speeches about her writing and concern for her sister.

Also featuring: Brekken Baker, Abby Hart, Allyson Tolbert, Piera Calabro

Photos by Michael Portantiere

Opening: Eric Shorey (also an engaging tour guide at the show’s top),  Neville Braithwaite, Ryan Rhue, Dallas Padoven, Elizabeth Broadhurst as Ruth, Isaac Matthews

 

Musicals Tonight! presents
Wonderful Town
Libretto- Joseph Fields/Jerome Chodorov
Music-Leonard Bernstein
Lyrics- Betty Comden and Adolph Green
Directed by Evan Pappas
Choreographed by Antoinette DiPietropolo
Music Director/Vocal Arranger-James Stenborg
The Lion Theatre
410 West 42 Street
Through April 17, 2016
Come back in October for next season’s first production          Funny Face by George and Ira Gershwin

About Alix Cohen (987 Articles)
Alix Cohen is the recipient of eight New York Press Club Awards for work published on this venue. Her writing history began with poetry, segued into lyrics and took a commercial detour while holding executive positions in product development, merchandising, and design. A cultural sponge, she now turns her diverse personal and professional background to authoring pieces about culture/the arts with particular interest in artists/performers and entrepreneurs. Theater, music, art/design are lifelong areas of study and passion. She is a voting member of Drama Desk and Drama League. Alix’s professional experience in women’s fashion fuels writing in that area. Besides Woman Around Town, the journalist writes for Cabaret Scenes, Broadway World, and Theater Pizzazz. Additional pieces have been published by The New York Post, The National Observer’s Playground Magazine, Pasadena Magazine, Times Square Chronicles, and ifashionnetwork. She lives in Manhattan. Of course.