Daniel Silva’s The Black Widow – Using Fiction for Political Change

Daniel Silva’s new Gabriel Allon mystery, The Black Widow, is not for the faint of heart. Think we’re safe? Think again. Silva pulls no punches and by the time you’ve read the last page, you may want to rethink those vacation plans or even that restaurant reservation. And if you live in Washington, D.C., the plot will hit (quite literally) very close to home.

Silva has been writing the Gabriel Allon series since 2000 when he first introduced us to the art restorer/secret agent/assassin. Allon’s first wife, Leah, was injured and their son, Daniel, killed in a car bombing. Leah now suffers from severe PTSD and memory loss and Allon visits her often in the care facility where she lives, not far from the Jerusalem limestone apartment building where Allon and his second wife, Chiara, reside with their infant twins, Raphael and Irene.

The Black Widow is Allon’s 16th outing and there are hints that supporting characters will take center stage as Silva moves forward. Allon, tapped to become chief of Israel’s intelligence service, will now be spending more time directing the action rather than being in the middle of it. While Allon fans may be disappointed, those poised to take over – Mikhail Abramov and Dina Sarid, two reliable members of Allon’s team, and Dr. Natalie Mizrahi, a French-born Jew who is also a doctor – are compelling enough that the series will probably not miss a beat.

Before Silva was a novelist, he was a journalist, at one point serving as UPI’s Middle East correspondent, reporting from Cairo. His experience covering that volatile area of the world informs his novels. Silva was born a Catholic but converted to Judaism when he was an adult. Through Allon Silva conveys his affection for the Israeli people and his admiration for the Israeli secret service. Intelligence officers from France, Britain, and the United States, are portrayed as naive, ill-informed, and ill-prepared to face the new world order. In The Black Widow, the West, particularly the U.S., pays dearly for underestimating the enemy.

The Black Widow opens with a vicious attack in Paris that claims the life of one of Allon’s friends, Hannah Weinberg, leader of the Isaac Weinberg Center for the Study of Anti-Semitism in France. The bombing was carried out by Safia Bourihane, an Algerian who was living in Aulnay-sous-Bois, a banlieue north of Paris. After her Tunisian-born boyfriend was killed in a coalition air strike, Bourihane was dubbed the “black widow.” Although she had been under French surveillance as a “ticking time bomb,” the authorities felt she was no longer a threat after she stopped associating with known radicals and even ceased wearing the hijab. “Which is exactly what she was told to do by the man who masterminded the attack,” observed one of the French security officials. That mastermind, known only as Saladin, becomes Allon’s next target.

The real Saladin was a Kurd, born in 1138, who beat back the Christians, slaughtering many of them, to reclaim Jerusalem for the Muslims. The ISIS terrorist who goes by the name of Saladin was born in Iraq and was part of Saddam Hussein’s security force. His mission is now worldwide, striking targets in the West using suicide bombers and armed assassins.

To bring down Saladin, Allon plans to find and train a black widow of his own. Like so many Jews living in France, Natalie and her parents relocated to Israel, fearful of the violence being directed at their community. She needs some convincing to join the “Office,” the nickname given to Allon’s operation, but once she signs on, she convincingly transforms herself into a Palestinian, Leila, who mourns the loss of her husband and seems bent on seeking revenge by killing infidels. Natalie/Leila succeeds in her assignment, infiltrating Saladin’s network. But will her efforts be enough to stop the devastating attack that Allon believes is coming?

Silva’s characters are expertly drawn. Over the course of the series, Allon has suffered huge losses yet remains true to his cause. And while the male figures, even the evil Saladin, are very convincing, it’s the female characters that draw us into the story. We follow Natalie on every step of her dangerous journey, amazed at her courage and fearful for her survival. Allon’s wife, Chiara, is loyal to a fault, understanding her husband better than anyone else.

In Author’s Notes at the end of the book, Silva lays out a compelling case for constant vigilance and a concerted effort to defeat the terrorist group, ISIS. He blames both Republicans and Democrats for the quagmire that has developed in the Middle East – President Bush for invading Iraq and President Obama for failing to leave enough troops in the region. And while he reviews some of the recent attacks in Europe, he ends on a sobering note: “The American homeland, however, is ISIS’s ultimate target.”

The Black Widow
Daniel Silva

About Charlene Giannetti (518 Articles)
Charlene Giannetti, editor of Woman Around Town, is the recipient of seven awards from the New York Press Club for articles that have appeared on the website. A graduate of Syracuse University’s S.I. Newhouse School of Public Communications, Charlene began her career working for a newspaper in Pennsylvania, then wrote for several publications in Washington covering environment and energy policy. In New York, she was an editor at Business Week magazine and her articles have appeared in many newspapers and magazines. She is the author of 13 non-fiction books, eight for parents of young adolescents written with Margaret Sagarese, including "The Roller-Coaster Years," "Cliques," and "Boy Crazy." She and Margaret have been keynote speakers at many events and have appeared on the Today Show, CBS Morning, FOX News, CNN, MSNBC, NPR, and many others. Her last book, "The Plantations of Virginia," written with Jai Williams, was published by Globe Pequot Press in February, 2017. Her podcast, WAT-CAST, interviewing men and women making news, is available on Soundcloud and on iTunes. She is one of the producers for the film "Life After You," focusing on the opioid/heroin crisis that had its premiere at WorldFest-Houston International Film Festival, where it won two awards. Charlene divides her time between homes in Manhattan and Alexandria, Virginia.