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Woman Around Town’s Editor Charlene Giannetti and writers for the website talk with the women and men making news in New York, Washington, D.C., and other cities around the world. Thanks to Ian Herman for his wonderful piano introduction.

Star Wars: The Force Awakens

Five Films Featuring the Priesthood

01/28/2017

It’s an annual tradition; Oscar Season comes around and a Martin Scorcese picture is always sure to be getting plenty of buzz.  This year the film in question is Silence starring Andrew Garfield (The Amazing Spider-Man, Hacksaw Ridge), Adam Driver (Star Wars: The Force Awakens, Inside Llewyn Davis), as missionary priests searching for their mentor (Liam Neeson) in feudal Japan. It’s not surprising that the movie has people talking; besides its all star pedigree, issues of faith particularly the priesthood often make for great cinematic drama. Consider the following.

Boys Town (1938) Spencer Tracy’s performance as Father Flanagan who founds a sanctuary for underprivileged and delinquent young boys named Boys Town, earned him an Oscar. The movie was nominated for four more Oscars and won for Best Original Story. It also brought a lot of public attention-and funding-for the real Father Flanagan’s work. Besides Tracy’s legendary performance, you also get Mickey Rooney, Henry Hull, and Gene Reynolds. Plus this was the movie, that originated, “He’s not heavy-he’s my brother!”

The Exorcist (1973) Directed by William Friedkin and based on the novel of the same name, this movie made pea soup a catch phrase and a certain set of steps at Georgetown University a place of pilgrimage. It’s not only considered not only one of the greatest scary movies of all time, but one of the greatest movies period, this one kicked off a whole genre of exorcism themed movies, none of which quite compare to the original.  In great part that’s because it not only has Ellen Burstyn and Linda Blair’s iconic performances, but Max von Sydow as well as Father Merrin. But the movie’s emotional heart and soul comes from Jason Miller as the tormented Father Damien who’s suffered a crisis of faith after the death of his mother.

The Name of the Rose (1986) Jean Jacques Anand (The Lover, Enemy at the Gates) directed this Italian-French-German mystery drama was adapted from the Umberto Eco novel of the same name. Young novice Adso (Christian Slater is his very early years,) and his mentor Franciscan Friar William of Baskerville (Sean Connery in one of his more memorable non-Bond roles) in 1327, journey to a remote Italian abbey for a papal debate. The abbey in question houses one of the greatest libraries in Europe; it’s also astir from the recent suspicious death of one of the monks. More bodies turn up and William races to solve the mystery before the Inquisition is called in.  It won the Cesar Award for Best Foreign Film as well as two BAFTA awards including Sean Connery for Best Actor.

Black Robe (1991) Directed by Bruce Beresford (Driving Miss Daisy, Double Jeopardy) this adaption of the Brian Moore novel tells the story of how young Jesuit priest Father LaForgue (Lothaire Bluteau best known to American audiences for his roles on 24 and Vikings) is sent to a distant Catholic mission in a Huron village. LaForgue is accompanied by non-Jesuit assistant Daniel (Aden Young of The Starter Wife and I, Frankenstein) as well as a group of Algonquin Indians. Along the way complications in the form of Daniel falling for an Algonquin girl, and interactions with other First Nation peoples who are less than sympathetic to Father LaForgue and his mission.  It is considered one of the best researched films featuring indigenous peoples and it includes dialogue spoken in the Cree, Mohawk, and Algonquin languages. It won the Genie Award for Best Canadian Film as well as Best Director, Best Adapted Screenplay, and Best Supporting Actor.

The Crime of Father Amaro (2002) Directed by Carlos Carrera and starring Gael Garcia Bernal (Babel, Y Tu Mama Tambien) as the titular father and Ana Claudia Talancon (Fast Food Nation, Love in the Time of Cholera) as the young girl he begins a passionate affair with.  As you can imagine it doesn’t end well.  The movie created a firestorm in Mexico and the Catholic Church actually attempted to ban it.  Despite or perhaps because of that, it became the biggest box office success in the country’s history and was nominated for Best Foreign Language Film Oscar.

Top photo from Bigstock

Rogue One: A Star Wars Story – How It All Began

12/14/2016

After viewing Rogue One, a prequel to George Lucas’ original trilogy, you might find yourself wanting to binge watch the first three films. Rogue One fills in the blanks, specifically how the Rebel Alliance learned about the Empire’s Death Star. Without giving anything away, we know that Han Solo, Princess Leia, and Luke Skywalker, eventually help to destroy that weapon of mass destruction. Now we learn the backstory, namely the identity of the scientist who helped to create the Death Star and how the Rebel Alliance exploited the design flaw that left the device vulnerable to destruction.

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Diego Luna, Felicity Jones, K-250 (voiced by Alan Tudyk)

There’s a world of difference, however, between the first three films and Rogue One. While all are rated PG-13, younger children may find Rogue One’s action too violent and intense and both the heroes and villains a little scary. (The director, Gareth Edwards directed Godzilla.) There are no Muppet-like aliens that once populated the venues visited by Han Solo and his crew. While the new characters in Rogue One are engaging, it remains a challenge to top the original cast, particularly because after last December’s Star Wars: The Force Awakens, they remain fresh in our minds.

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Mads Mikkelsen

Felicity Jones, last seen running around Italy with Tom Hanks in Inferno, is Rogue One’s female lead. Her Jyn Erso is every bit as brave and smart as The Force Awaken’s Rey, played by Daisy Ridley. Jyn’s story serves as the film’s centerpiece. As a child, she watches while her mother is killed and her scientist father, Galen (Mads Mikkelsen), is taken away by an Imperial force led by Orson Krennic (Ben Mendelsohn). The Empire needs Galen to finish the Death Star. The young Jyn flees to a pre-arranged hiding place where she is rescued by Saw Gerrera (Forest Whitaker).

While Jyn has a vague memory of her father being captured, rumor has it that he has gone over to the dark side. But when she’s shown a hologram of her father speaking to her, she learns that he is being coerced into working for the Empire. He’s managed to program into the Death Star a weakness that can be exploited. The organized Rebel Alliance, led by Mon Mothma (Genevieve O’Reilly) and Bail Organa (Jimmy Smits) doubts Jyn’s story. (Blink and you’ll miss Smits appearance, it’s so brief.)  However, a rag-tag group of fighters enlists to help Jyn find her father.

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Donnie Yen

Jyn’s new crew is certainly diverse. We have the leader, Cassian Andor (Diego Luna), a very tall droid, K-250 (voiced by Alan Tudyk he gets all of the film’s best lines), a blind swordsman (Donnie Yen), a warrior (Jiang Wen), and Riz Ahmed, as a pilot who defected to help the Rebellion. Once the organized Rebellion realizes Jyn’s group has a chance to succeed, the much-needed air support arrives. The battle scenes are exciting, although the demise of some characters may be upsetting to younger viewers.

Darth Vader, once again voiced by James Earl Jones, makes an appearance towards the end in a scene that sets the stage for what is to come next. While Jones’ voice delivered the expected jolt, it was nowhere near as shocking as the appearance on screen of Peter Cushing, who died in 1994, and was resurrected courtesy of CGI as the Imperial leader Grand Moff Tarkin. (There was an audible gasp from the preview audience at my screening.)

While the Lucas prequels failed to catch fire with fans, Rogue One should live up to expectations. Connecting it so closely to the trilogy works in its favor. And the musical score, from Michael Giacchino, includes enough of John Williams’ original themes that audiences will certainly tap into memories of all those galaxies that came before.

Photos courtesy of Walt Disney Studios.

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