Woman Around Town’s Editor Charlene Giannetti and writers for the website talk with the women and men making news in New York, Washington, D.C., and other cities around the world. Thanks to Ian Herman for his wonderful piano introduction.
He says ‘Welcome to the frickin Guardians of the Galaxy! Only he didn’t use ‘frickin’.
When we’re first reunited with the titular Guardians they’ve been hired by the Sovereign (a race of golden, snotty, and genetically-engineered super-beings) to defend some valuable batteries from a horrific beast. The beast does indeed come and it’s a grueling battle for the Guardians…but that isn’t the main focus of the sequence. No much of what we see is snippets as the camera follows Baby Groot (voiced by Vin Diesel) happily dancing away to Quill’s music tracks.
Rocket (Voiced by Bradley Cooper)
This is pivotal to the core of the movie. Yes, Guardians is a comic book/syfy feature. Yes, it involves lots and LOTS of gnarly battle sequences. But the fisticuffs aren’t really the point here. Guardians’ focus is primarily on family, to the point where it can feel like you’re being hit over the head with it. Still, can’t deny that it works; whether it be blood ties like that between Quill (Chris Pratt) and his hither-to unknown father, the Celestial being known as Ego (Kurt Russell who’s an absolute hoot), or the man who raised him, the alien Ravage Yondu (a surprisingly sensitive and touching performance by Michael Rooker). And it’s not just Quill’s family issues on display. Gamora (Zoe Saldana) has some serious sibling rivalry and baggage going with her adopted sister Nebula (an utterly transformed Karen Gillan who shines in the role). Plus, there’s the fact that the Guardians themselves are a fairly bizarre, make-shift family with some members (coughRocketcough – voiced by Bradley Cooper) determined to be as prickly as possible. And everybody finds themselves taking on a parental role when it comes to Baby Groot.
Kurt Russell as Ego
Welcome newcomers include Elizabeth Debicki as the haughty and inhumanly beautiful Sovereign High Priestess Ayesha and Pom Klementieff as Ego’s adorable pet empath, Mantiss, along with a surprise cameo that’s just perfect. Watching all these disparate personalities interact with one another is what Guardians is all about. Well, that and its killer soundtrack.
Not that we don’t get a plentiful share of groovy sci-fi concepts along the way. A Ravager bar on an ice world that’s just the right mix of gaudy and disreputable. Ego’s home world is a visually dazzling delight for the eyes. Yondu’s ‘whistle stick’ is even more glorious this time around. And there’s a space funeral that is one of the most beautiful things imaginable. It’s sometimes a little too evident that Gunn is trying to entertain us with more of the same from the first movie, but in the end it is indeed very entertaining.
Aurora Lane (Jennifer Lawrence) is a writer after a great story. More than 5,000 people will ride the Avalon Starship into deep space where they will take up residence on a colony planet called Homestead II. There’s a hitch. Because that trip will take120 years, the passengers will avoid aging by hibernating in pods. Aurora has signed on for the journey so she can write a book about her adventure. After she reaches Homestead II, she plans to return to earth, ostensibly to have her book published. Talk about a long-range publishing plan!
Aurora’s strategy may not make much sense (who can imagine how much earth will have changed in 240 years? Books? What are they?), but Lawrence can somehow make even that zany premise intriguing. Of course, the best laid plans…One of the pods malfunctions, and Jim Preston (Chris Pratt), wakes up ahead of schedule. His only companion is the bartender, a charming droid named Arthur played by Michael Sheen. (Sheen has recently announced that he will put his acting on hold to focus on political activism. Hopefully, he won’t be gone for too long because his performance here is delightful.)
The Avalon is a luxurious vessel, similar to one of those huge cruise ships. Besides a large comfortable cabin, Preston is able to enjoy the gym, a swimming pool with an awe-inspiring view of space, a wide range of electronic games and entertainment, dining facilities, and, of course, the bar maintained by Arthur. But nothing can replace human companionship. Like Adam, Preston needs an Eve. Having come upon the pod occupied by Aurora (in a wink-wink, to the fairy tale, Aurora was the name of Sleeping Beauty), he wrestles with whether he should wake her up.
He spends some time debating the issue with Arthur, but doesn’t need much push to make up his mind. An engineer (his trip was paid for by the Homestead people because the planet needs settlers with technical skills), he quickly figures out how to program Aurora’s pod so that she will wake up. She’s devastated to learn that she won’t reach Homestead and, like Preston, will spend the rest of her life on the ship getting old.
Trying to make the best of a bad situation, the two spend their days enjoying what the ship has to offer – playing basketball in the gym, watching films, swimming, even donning space suits and enjoying a gravity-free walk among the stars. Nights are spent enjoying cocktails at Arthur’s bar and then dining in the cavernous restaurant. Aurora believes that her pod malfunctioned like Preston’s did. Now that she’s fallen for him, will the truth doom the relationship? If so, it will be a long, long trip.
A second pod does malfunction, one carrying a crew member, Gus Mancuso, played by Laurence Fishburne. His arrival is well-timed since mechanical problems threaten to destroy the ship. What exactly has gone wrong is hard to discern, but the special effects are impressive. Aurora and Jim must work together to save themselves and everyone else on board.
Jon Spaihts, whose credits include Dr. Strange and Prometheus, first wrote the script for Passengers in 2007. The trade press described the film as being in “development hell,” for years with Keanu Reeves and Emily Blunt lined up to star at one point. Morten Tyldum, nominated for an Oscar for The Imitation Game, signed on to direct the film in 2015.
The film falls into the sci-fi category, but Tyldum reportedly wanted the film to be character-driven. Having two very popular and likable young stars playing the leads is a plus. There’s a story behind that casting. Lawrence, who learned she was paid less than her male co-stars in the Oscar-nominated American Hustle, has been outspoken about pay inequality in Hollywood. When approached to star in Passengers, she held firm. As a result, Pratt was paid $12 million for the film, while Lawrence was paid $20 million.
Photos by Jamie Trueblood courtesy of Columbia Pictures
