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Erin Brockovich

Megan Graves Tackles the Mother-Daughter Relationship in Arena Stage’s The Little Foxes

09/12/2016

Lillian Hellman’s play, The Little Foxes, first premiered on Broadway in 1939, followed by a film in 1941. Tallulah Bankhead played the Hubbard family matriarch, Regina, on stage, with Bette Davis assuming that role on the big screen. The play has been revived on Broadway three times, with Anne Bancroft (1967), Elizabeth Taylor (1981), and Stockard Channing (1997) playing Regina. The Little Foxes will run from September 23 through October 30 at Arena Stage with Marg Helgenberger as Regina.

Since it’s been nearly ten years since the last Broadway revival, why now? “I think what this play has to say about women – powerful women – it’s incredibly timely, especially considering the election cycle that we are in,” said Megan Graves who plays Regina’s daughter, Alexandra, known as Zan. “Certainly, perspectives on women in 1900 [the time period of the play] are different, but in many ways, unfortunately, they are not. I think it’s surprisingly relevant.”

The Little Foxes centers on the very Southern Hubbard family: Regina; her husband, Horace; her two brothers, Benjamin and Oscar; Oscar’s wife, Birdie; and Zan. Hellman apparently based the characters on relatives from her mother’s family. In the early 20th century, only sons were considered legal heirs. Regina wants financial freedom and she will stop at nothing to obtain that independence. “The stakes in this play are very high, and the lengths that the characters will go to achieve their goals are a little scary,” said Megan. “I, for one, see that in D.C. politics, and so these characters, particularly Regina, but also her two brothers, Oscar and Ben, are very recognizable at any time in Washington. There’s a lot of humanity underneath this grasping for power, but at a certain point the emotional depth becomes subverted.”

Zan becomes the moral core of the play. “Alexandra is 17 and she’s trying to find who she is in the maelstrom of family dysfunction,” Megan said. “She becomes caught between her mother and her father who have opposing ideas about what should happen with the family business and to the family itself. And in the end she makes a choice for her own future that also means rejecting a lot of who she has been up to that point.”

Megan said that she read Hellman’s The Children’s Hour in college, but wasn’t as familiar with The Little Foxes. “I didn’t realize until I auditioned how autobiographical [the play] was,” she said. “We have a  great dramaturgical team helping us and the information they are giving us is so incredibly informative. I was able to read interviews that Lillian Hellman gave about the play, what she intended, and what audiences take from the play and how those two things aren’t always in synch. I found that fascinating.”

The mother-daughter relationship is an important theme in the play. “Alexandra really craves her mother’s affection and approval,” Megan said. “The tricky thing is that she also has a very strong sense of right and wrong and at a certain point trying to please her mother and trying to do what’s right aren’t one and the same any more. So there’s a huge conflict for her when she has to choose between what she sees as doing the right thing and doing what her mother asks. That’s what really starts the journey towards growing up.”

Megan was born in Mesa, Arizona, just outside of Phoenix. Homeschooled through high school, she received her BFA from the Shenandoah Conservatory, in Winchester, Virginia. After enjoying Shakespeare in high school, Megan thought she would become a writer. That all changed in college when she began doing local theater in northern Virginia.

She has become a familiar presence for theatergoers in the D.C. area, having appeared in A Midsummer Night’s Dream at Folger Theatre, Passion Play and Clementine in the Lower 9 at Forum Theatre, and several productions at Imagination Stage in Bethesda, including The BFG, winning a Helen Hayes Award.

Does she have a favorite? “That’s tough,” she said. “I had a great time doing Midsummer NIght’s Dream at Folger this spring. That was just a lovely group of people and a really joyful interpretation of the play that was just so refreshing and wonderful to do every night. I have to say I have a very warm place in my heart for Passion Play which I did at Forum Theater last year. That was probably the production that has changed how I look at theater.”

Megan said she feels lucky to be part of the cast for Arena’s production. “It’s like a master class in the rehearsals every day,” she said. “Sometimes I have to remind myself that I’m in the scene; I can’t just watch. It’s so incredible.”

Photo © Tony Powell. Arena Stage "Little Foxes" August 26, 2016

She feels very fortunate to be working with Helgenberger (above), who won an Emmy Award for playing K.C. Koloski in China Beach, which ran on ABC from 1988 to 1991, and is most identified with her long-running role as Catherine Willows on CBS’s CSI: Crime Scene Investigation. Helgenberger’s film credits include Erin Brockovich.

Helgenberger, Maegan said, “is lovely; she’s so giving and kind. We’ve had some good conversations about what the relationship is like [between Regina and Zan] and she’s game to try things. I was amazed at how transformative she is. She’s Regina. She has really taken this role on. The only thing I think about when I watch her work is how thoroughly she has stepped into this piece.”

Stepping into the characters also involves stepping into the dresses that women wore during the play’s time period. “There’s something about being laced into a corset that immediately transports you to the time,” she said. “I can’t slouch anymore; that 20-something slouching girl is gone and I have this incredible posture. It informs the character so much and layer on top of that the beautiful clothes that our designer [Jess Goldstein], unveils, it really helps to make the character come to life. l can’t wait to get all the costumes and get on stage and work with all of that.”

Megan hopes that the play’s themes will resonate with audiences, particularly through her character, Zan. “This play is really about power – who has it,  who is trying to get it – manifested through wealth,” she said. “Those who decide in the end to reject that, is a commentary on the choices that people make. In the play there’s a statement about family versus power and choosing one or the other. There doesn’t seem to be a lot of neutral ground at least in this play as far as maintaining that control and also maintaining that family bond. For some it’s simple and for others like Zan, it’s very complicated.”

The Little Foxes
Written by Lillian Hellman
Directed by Kyle Donnelly
Arena Stage
1101 Sixth Street SW
202-488-3300

Marg Helgenberger Photo © Tony Powell

More Earth Day Films

04/19/2016

It’s no secret 2016, is shaping up to be a very…ahem…exciting election season. Besides such issues of income inequality, the Supreme Court, reproductive justice, foreign policy, and so forth the increasingly dire news about global warming is weighing on many people’s minds-and makes Earth Day this year seem more weighted with symbolism than usual.  Here are some more films that deal with environmental issues.

Erin Brockovich (2000)  The biography of the real life Brockovich who successfully spearheaded a lawsuit against the Pacific Gas & Electric Company for polluting the water of Hinckley, California was a commercial and critical success that was nominated by the Academy for Best Picture, Best Director (Steven Soderberg) and won Julia Roberts the Oscar for Best Actress in the titular role of feisty single mom Erin.  Albert Finney, Peter Coyote, Aaron Eckhart, all provide stellar performances as well.

Being Caribou (2005) Husband and wife team Karsten Heuer and Leanne Allison spent five months following the migration of the Porcupine caribou herd.  Allison an environmentalist and Heuer a wildlife biologist were weighing in on the Arctic Refuge Drilling controversy, by demonstrating how such drilling threatened the herd’s survival since their natural calving grounds are within the Refuge.  Being Caribou won scores of awards including a Gemini Award and most popular Canadian film at the Vancouver International Film Festival.

Happy Feet (2006) Every emperor penguin sings a ‘heartsong’ to attract a mate, but when Memphis (Hugh Jackman) manages to drop the egg while his mate Norma Jean (Nicole Kidman) is away their son Mumble (Elijah Wood) hatches without the gift of son.  He can however, tap dance!  While the main focus of this animated musical comedy is on Mumble’s struggle for acceptance, the driving catalyst is how over-fishing by man in the Antarctic waters has put the entire penguin colony at risk of starvation.  Happy Feet won the BAFTA for Best Animated Film, the Saturn award for Best Animated Film, AND was the first Warner Brothers production to win the Academy Award for Best Animated Feature.

Food Inc. (2008) This documentary directed by the Emmy nominated Robert Kenner examines the costs of industrial meat production and corporate farming in the U.S. It’s narrated by Michael Pollan author of The Omnivore’s Dilemma and Eric Schlosser author of Fast Food Nation. Interview subjects include food activists, former politicians, organic food executives and more.  Food Inc. was nominated for both the Independent Spirit Award and the Academy Award for Best Documentary Feature.

Virunga (2014) Directed by Orlando von Einseidel, Virunga  chronicles the fight to save the natural beauty and biodiversity of the Virunga National Park in the Democratic Republic of the Congo from oil exploration. It primarily focuses on four figures: gorilla caregiver Andre Bauma; park warden Rodrigue Mugaruka Katembo; chief warden Emmanuel de Merode; and French investigative journalist Melanie Gouby. It premiered at the Tribeca Film Festival and after airing on Netflix it was nominated for the Academy Award for Best Documentary Feature.