Woman Around Town’s Editor Charlene Giannetti and writers for the website talk with the women and men making news in New York, Washington, D.C., and other cities around the world. Thanks to Ian Herman for his wonderful piano introduction.
As a dog-walker, pet-sitter, and pet parent myself, I take more than a small interest in canines – in real life or on camera. From Rin-Tin-Tin, to Lassie, to Bear the crime fighting dog on Person of Interest, man’s best friend has always shone in Hollywood. Here are some of the best examples to make it to the silver screen.
Old Yeller (1957) This coming of age Disney drama was based on the Newberry award winning novel of the same name. In 1860’s post-Civil War Texas, Travis and Arliss befriend a lovable mutt they name “Old Yeller,” for his coloring. They have a series of adventures and Yeller saves the boys multiple times whilst becoming a beloved member of the family. But sadly, there’s that darn hydrophobia (aka rabies) out there… Warning this is generally considered one of the biggest tear-jerker films of all time, so stock up on Kleenex.
101 Dalmations(1961) We all know the story. When their puppies are kidnapped by the evil Cruella De Vil (one of the most memorable and iconic villains of all time) Dalmatian couple Pongo and Perdita set out to find them. Along the way they rescue over 84 other additional puppies as well. Hence the title. This animated adventure from Disney based on the 1956 novel The Hundred and One Dalmations by Dodie Smith was an instant classic. It was reissued in theatres four times in 1969, 1979,1985, and 1991 as well as being made into a live action remake in 1996.
Best in Show (2000) This mockumentary follows five entrants into a snooty dog show and the bizarre antics that follow. The antics in question are actually all on the part of the dog owners and human handlers – the dogs themselves are a lot more level-headed. The legendary Christopher Guest (This is Spinal Tap, Waiting for Guffman) starred, directed and co-wrote this hysterically funny comedy with Eugene Levy (Splash, American Pie), who starred as well. The cast is a plethora of comedic riches with mesmerizing turns by Bob Balaban, Parker Posey, Michael McKean, Jennifer Coolidge, John Michael Higgins, Jane Lynch, Michael McKean, and Catherine O’Hara.
My Dog Skip (2000) Based on the autobiographical novel of the same name. In the 1940s,Willie Morris (Frankie Muniz of Malcolm in the Middle and Agent Cody Banks) is a lonely nine year-old with a veteran father (Kevin Bacon) and extroverted mom (Diane Lane). The latter decides against the wishes of the former to give Willie a Jack Russell Terrier for his birthday. Willie names the dog Skip and he quickly becomes the best and most important friend of Willie’s childhood.
Eight Below (2006) Professor McClaren (Bruce Greenwood of Double Jeopardy and Star Trek) travels to a remote Antarctic base in search of a meteorite. Local guide Jerry (the late Paul Walker of The Fast and the Furious franchise) decides the only way to make the trip is via dog sled. McClaren gets his meteorite, but is injured in the process and Jerry’s sled dogs rescue him. Back at base, the humans are evacuated due to an incoming storm, but the dogs are left behind – and then the humans can’t come back. Which leaves eight beautiful, brave, and smart Huskies abandoned to survive by themselves for months on end in the harshest environment on earth. Thank god they are, after all, Huskies. Loosely based on true events that happened to an ill-fated Japanese expedition to the Antarctica, it received good reviews and was a box office hit.
Top photo from Bigstock
Winnie’s book, The Dog-Walking Diaries – A Year in the Life of an Autistic Dog-Walker, can be bought for the dog lover in your life by clicking here to purchase on Amazon.
With sequels, one of the primary concerns isn’t necessarily whether it’ll be good or not, it’s whether or not it will taint my love for the original or if it’ll add to it instead. Such is the case with Finding Dory, a sequel to Pixar’s very successful and beautifully made Finding Nemo. The successor is 13 years in the making and, while it brings back some familiar faces, it feels fresh and engaging, but still manages to make us feel like we’re visiting with old friends.
One year after Marlin (Albert Brooks) and Dory (Ellen DeGeneres) find Nemo (Hayden Rolence), Dory remembers that she lost her parents (Diane Keaton and Eugene Levy). Somehow, a few years back, and due to short term memory loss, Dory found herself wandering the ocean alone. Not knowing where she comes from or how she got to where she is now, Dory spends a lot of time searching for the parents she lost, as well as forgetting she lost them to begin with. Once she remembers she forgot her parents, she takes a journey that sets her on the path to California, where her parents are housed in the Marine Life Institute.
Of course, Marlin and Nemo tag along, helping Dory and making sure she doesn’t get lost. The film doesn’t spend too long on the journey getting to the Marine Life Institute, where Sigourney Weaver’s voice hilariously plays over the intercoms, but it’s rather about the adventure Dory experiences while there. Befriending a cranky and bitter octopus named Hank (Ed O’Neill), whose primary goal is to find himself in quarantine and on the next truck to Cleveland, Dory finds herself recalling her childhood at every turn and scouring the institute’s every corner looking for her family. But is she too late?
Going into the movie without enormously high expectations is difficult. Thankfully, Finding Dory is as adorable as it looks and strikes all the right chords. The themes of letting go are still there, but it’s the particular theme of being a part of a family, even though there is no DNA relation, that is what really pulls at the heartstrings. Young Dory’s scenes with her parents are precious and if Disney and Pixar get anything right, it’s the astoundingly lovable portrayals of the younger versions of their characters. Young Dory is just as doe-eyed and her personality full of wonder and openness. Adult Dory is the same, which is why it’s so easy to love her and understandable why even the most cantankerous characters are drawn to her positive energy.
The film draws a bit from its predecessor, but it’s brave enough to go out on its own and bring in new characters. Only two characters outside of the main cast of fish make brief appearances. This shows that Pixar isn’t willing to rely on what worked before. And even though Finding Nemo‘s supporting characters are beloved, this is a new journey and their presence wouldn’t have worked within the scope of this film’s premise. New and fun-loving characters like Destiny (Kaitlin Olson), a near-sighted and happy whale, and Bailey (Ty Burrell), a disheartened whale who’s lost his talent, fill in the space with their grand and memorable presence.
The CGI animation is beautiful. The 3D effects makes it all the more eye-popping. The Pixar team makes even the emptiness of certain parts of the ocean look both wondrous and irksome all at once. The visuals are further reinforced and more appreciated because the film aims to tell a story that is heartwarming, engaging, funny, and touching in ways that made Finding Nemo so memorable. And with a great and simple story, gorgeous visuals, and adorable characters, Finding Dory makes for a worthy sequel.