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Woman Around Town’s Editor Charlene Giannetti and writers for the website talk with the women and men making news in New York, Washington, D.C., and other cities around the world. Thanks to Ian Herman for his wonderful piano introduction.

Noises Off

The Play That Goes Wrong – An Irrepressibly Calamitous Whodoneit

04/08/2017

Comley University has some issues with its Drama Society. Tonight, there’s been a box office mix up and “we trust the 650 of you hoping to see Hamilton might enjoy our production as much.” Budget issues have necessitated shows such as Chekhov’s modified Two Sisters and, due to spoilage, James and The Peach, which further regressed to James, Where’s Your Peach? Last year, a casting issue determined the mounting of Snow White and The Seven Tall, Broad-Shouldered Gentlemen. We’re informed of the society’s vicissitudes by Chris Bean at this, his directorial “daboo.”

Fasten your seat belts, audience, this is going to be an hysterical ride.

When longtime butler, Perkins (Jonathan Sayer) and Thomas Colleymore (James Cordon lookalike Henry Lewis, who uses his body like a prop) walk around a wall  (the door is stuck) to bring Charles Haversham (Greg Tannahill – picture the deadpan perfection of Simon Jones) back to his wedding rehearsal party, they discover him murdered. Cue lights; ominous chord! Thomas’s sister Sandra (Charlie Russell), fiancé of the deceased, and Inspector Carter (Henry Shields) are sent for.

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Dave Hearn, Greg Tannahill, Henry Lewis, Charlie Russell

Sandra, however, can’t get in either and must recite “No! I can’t believe what I’ve seen!” at the window far from view, then clumsily climbing through. Cecil Haversham (Dave Hearn who resembles Bill Irwin both in appearance and style) is pushed through the door by momentarily exposed, thoroughly abashed, cast members and stage hands. Having made his way through a blizzard – cue the tossing of square-cut white tissue paper outside, the Inspector arrives.

Everyone needs a drink. Perkins takes a grinding, smoke spewing elevator to the second floor study (we see this as an open platform with furniture) and retrieves a full bottle of scotch when, according to dialogue, it should be empty. Thinking fast he pours its contents down the intercom which opens onto the stage below with a splash. There should be a full bottle, he’s told. Reaching elsewhere, he then raises an empty one to the audience. Outcome: the company finds itself repeatedly drinking Paint Thinner (and just as often spitting it out.) Vintage? “Flammable and Corrosive.”

Missing props are blatantly handed in. Others are substituted for on the spot. Looking for the Inspector’s pencil, Thomas finds only duly delivered keys. The requested notebook is replaced by a vase filled with roses. Carter gamely scratches keys against vase to write. Henry Shields has the young John Cleese’s public school persona gone wildly awry. He manages to be staunch patrician and hugely droll at the same time.

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Authors: Henry Shields, Jonathan Sayer, Henry Lewis

When the mantel falls off, stagehand Annie (Bryony Corrigan) finds herself holding two candlesticks through the wall a la Cocteau’s Beauty and the Beast. Later, she’s forced to take over for the knocked out actress who plays Sandra, red dress on top of her overalls, book in hand. At first, Annie’s like a deer in headlights, then palpably surprised at the ongoing plot, and finally, territorial. When the original Sandra revives in Act II, returning to the stage in her scanties, the two physically fight out every line. Corrigan is swell.

Charles’s body falls through a stretcher. Two poles are ceremoniously carried out empty as if they were not, while the corpse crawls and slithers his way out the now functional door, rising to dramatically cross hands over chest. Later, Cecil must find an alternative solution to being borne by the broken carrier.

Sandra is having a secret affair with Cecil – did they do it?!, but the actor is repulsed by the actress’s advances. During an eventual forced kiss, he looks like a boa constrictor trying to swallow her whole. This particular player must be new to “the drama society.” He thrills to applause, taking time to appreciate it, beaming, sometimes bowing or repeating an action. Dave Hearn is one of the great highlights of the production. He’s adorable, executes slapstick like a silent film pro, and responds with uproarious precision.

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Dave Hearn, Charlie Russell

There’s another murder, a discovered will, and the appearance of a Head Gardener who may be involved (Hearn). Motivation abounds. Cues fall unanswered. Up in a visible stage box, Stage Manager Trevor (Rob Falconer) is more concerned with the loss of his Duran Duran tape than the production, though even he gets amusingly conscripted when two of the cast are stricken unconscious.

When Carter can’t find a mislaid ledger, frustration leads to actual whimpering. We see it under the chaise. An audience member, then several, helpfully call out its location out to the actor. (I’ll wager a month’s rent this occurs on the night you’re there.) Needless to say, he responds with fury at our not taking the play seriously.

The play within the play, though certainly broad satire, is sufficiently well written to hold attention. Focus is paramount and present. Company members each have their contributory strengths with only Charlie Russell and Jonathan Sayer relative disappointments.

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Henry Lewis, Jonathan Sayer, Henry Shields, Dave Hearn

Every move is accompanied by perfectly timed freezes as the cast registers and/or endures one disaster after another. Expressions are priceless. I’ve seen several productions of Michael Frayn’s backstage piece, Noises Off, and I’m here to tell you this multiplies that play’s pandemonium by tenfold. Or more. Fights are beautifully choreographed, elaborate pratfalls and saves worthy of Chaplin and Keaton. Bravo Director Mark Bell.

Nigel Hook’s brilliant, elaborate, tawdry looking Set is engineered within an inch of company lives, like a Rube Goldberg mechanism.                                                             Roberto Surace’s Costumes are worthy of Agatha Christie.Sound Design by Andrew Johnson demands as much exactness as cascading scenery and comes through with flying colors.

The Play That Goes Wrong, is conceived and – lucky us – enacted, by three twenty-something, out of work, British actors who will stop appearing after the Broadway iteration. Already a long running West End hit, the farce has spawned a number of other, international productions. It’s easy to imagine the piece going viral with long lives everywhere people need to laugh. Go. It’s a tonic.

Photos by Jeremy Daniel

Opening: Jonathan Sayer, Henry Lewis, Dave Hearn, Charlie Russell (window), Greg Tannahill

The Mischief Theatre production of
The Play That Goes Wrong
“The Cornley University Drama Society presents
Murder at Haversham Manor by Susie H. K. Brideswell”
Directed by Mark Bell
Written by Henry Shields, Henry Lewis, Jonathan Sayer
Lyceum Theatre
149 West 45th Street

Notorious – The Drama Behind Cable News

09/22/2016

Wendy Walker spent 32 years at CNN, 18 of those as the senior executive producer for Larry King Live. Criminal defense attorney, Mark Geragos, worked with Walker serving as a consultant. The two are now executive producers of the new ABC drama, Notorious, a behind the scenes look at what goes into producing a cable news show.

For news junkies who miss HBO’s The Newsroom, Notorious, might help curb those cravings. The ego-driven personalities on and off the set yield soap-opera worthy story lines. (Just consider the recent developments at Fox News.) Piper Perabo plays Julia George, a “powerhouse” who produces the Megan Kelly-like talk show, Louise Herrick Live. Daniel Sunjata plays Jake Gregorian, a high-profile defense attorney who often winds up in a chair being grilled by Herrick. Yet what viewers see is only part of the story. George and Gregorian are very much a team, massaging and managing the news for both their benefits. When one of Gregorian’s clients is found at a murder scene, his hands covered in blood, the duo will find events spiraling out of control. Can they trust each other? Stay tuned.

Notorious benefits from a strong cast. Perabo doesn’t rely on the athletic moves she displayed as CIA agent Annie Walker in USA’s Covert Affairs. George’s power comes from the information that she possesses. (When she discovers her boyfriend, an ambitious judge, has been visiting prostitutes, she doesn’t just break up with him. She puts him on notice that she’ll hold onto that nugget until she finds a good time to use it, a time bomb if there ever was one.)

DANIEL SUNJATA, J. AUGUST RICHARDS

Daniel Sunjata and J. August Richards (Photo credit: ABC/Kelsey McNeal)

Sunjata has an impressive resume that includes major roles on FX’s Rescue Me and USA’s Graceland. As Gregorian, he exudes the confidence and arrogance befitting an attorney who boasts a star-stunned list of clients. Gregorian and George are both used to being in control. There’s a sexual tension in their relationship which, we assume, will also be part and parcel of the show’s theme.

Kate Jennings Grant (Herrick), who has a long list of TV and film credits, recently won rave reviews for her performance in the Broadway revival of Noises Off. On set, Herrick is all business, asking the hard questions, never letting a guest off the hook. Off set, she’s often found in her dressing room canoodling with her latest boy toy. Jennings Grant manages both sides of her character with ease. She’s a delight to watch.

KATE JENNINGS GRANT

Kate Jennings Grant (Photo credit: ABC/Kelsey McNeal)

The supporting cast is also strong. J. August Richards plays Bradley, Gregorian’s brother and law partner, who takes the lead in the pilot’s subplot, a blackmail scheme against one of the firm’s clients. Jake may be the face of Gregorian & Gregorian, but Bradley is the one who keeps the wheels turning. Sepideh Moafi is Julia’s assistant, Megan Byrd, who also watches out for her boss’s welfare. Ryan Guzman plays fresh-faced Ryan Mills, an intern who got the job because his father is head of the network, but is eager to prove himself and impress Julia. His first move involves tricking Jake’s associate, Ella Benjamin (Aimeé Teegarden). She’s initially angry, but who can resist that fresh face?

Notorious follows the trend of many shows these days where an entire season is devoted to solving one crime. (TNT’s Murder in the First has done that for three seasons.) Anthology shows demand commitment on the part of the viewer. But once that viewer is hooked, the ratings follow. All things considered, Notorious has cast out a strong line.

Notorious premieres at 9 p.m. Thursday, September 22, 2016, on ABC.

Top: Piper Perabo and  Sepideh Moafi, Credit: ABC/Eli Joshua Ade